Sonakinography explores the acoustics of large architectural spaces and body acts as an instrument to examine, an object of negotiation, fermentation and reprocessing.The piece of the installation composed in the Cathedral in three parts, creating a complex mass of sound, molded from many individual events. The sounds are pre-recorded micro events. They played back and re-recorded again reinforced by the reverberation of the space.Echoes the complex and contested field of the space as an open condition of constant reflection and not as a consolidated structure: as a process in becoming and not as a given. As a process for enlarger environmental potential.