The composition reflects upon the perception of a sonic environment with noises, history, rapid changes and memory. Concentrating on the details of the path, zooming in on the micro-cosmos of heterogeneous environments, multiple and migrating sounds that carry the historical memory of contacts within the Mediterranean.

The (eventually, not so) metaphorical scheme that fuels my artistic approach and practice in relation to the geocultural phenomenon of the “Mediterranean basin” comes from the realm of sound and not from that of image. The Mediterranean basin could, thus, be described as a geological formation, more precisely a sonorous cavity of multiple resonances: the basin seen as source and at the same time as effect of resonances. An echo chamber in which sound reverberates, generating multiple nuances of feedback, return, boundness and offering. Like an interplay of mirrors in which every act or object is multiplied and even distorted. Sound appears to be a credible metaphor of the real. What, then, is the sound of this basin? How would the sound of that geocultural reality sound? Wouldn’t it be an audio spacetime where highly diversified means of transition link a type of material to another, a space characterized by a varied gradation of mutations, interplays, overlaps, cross-fading, sudden shifts and hidden junction points?